In the Pleasure Groove by John Taylor

You kids who have happened upon this blog for reasons I can't explain: you like that One Direction group, right? You have the dolls and the pillowcases and the skins for your iPhones and whatnot, because there is no better group to have walked the face of the planet, and you want to show your team stripes. Well, back in the 80s, what you call ancient history, the girls were not without their musical idols. They were called Duran Duran, and their fans were loyal to the point of frothing, skin-clawing madness. I would know, I lived in the midst of it. Girls scrawled "Mrs. Simon Le Bon" on their school folders, and held Duranie-themed birthday parties (you haven't lived until you've played Pin the Tail on the Ragged Tiger), and if you didn't have tickets to their concert at the Jacksonville Coliseum you were basically a loser with absolutely no reason to live.

All through this period of Duran-mania, while classmates drooled over pouting portraits of the three Taylors on the covers of Tiger Beat and 16, I asked my parents for a copy of The Police's Synchronicity.

I admit it, I wasn't into Duran Duran. At. All. I didn't buy any of their albums until long after I married, and even then it was a greatest hits CD, bought used. This doesn't mean I hated the group - I liked their music, but I didn't pray the rosary by it. It might explain why I had few friends in middle school. Yet, when I saw John Taylor had published a memoir I decided to give it a look for a number of reasons. I do find I listen more to 80s music these days, not for nostalgia but because many songs remain fresh after time - yes, the Durans included. The "Fab Five" reached the pinnacle of their fame in a time where musicians challenged fans to be more politically conscious and accommodating toward those less fortunate. This was the time of Live Aid and Little Steven's Sun City protest song. I picked up In the Pleasure Groove and wondered how Taylor and Duran Duran figured into all of that.

So, what do you learn about Duran Duran and Taylor here? Well, Pleasure Groove is pretty much a cut and dry history of the band, prefaced by chapters of Taylor's middle-class childhood which was defined by his mother's Catholic piety and a love for music. Taylor makes the group's rise through the ranks to superstardom seem almost easy - he helped form a band, they worked clubs, they cut a record and made videos, and the girls fell like dominoes. Yes, there are mentions of drugs and sex, and you'd expect to hear some lurid tales. Here, it just sounds...boring. Many of us today may be embarrassed by the 80s, but we definitely weren't bored then.

As I feared when I picked up this book, Pleasure Groove is for the fans. If you lived by Duran Duran then and now, you'll appreciate Taylor's effort to bring you into his personal space. If you're looking for a typical rock and roll memoir, this might leaving you wanting.

Rating C-

Kathryn Lively is a mystery author and book blogger.

Weird Al the Book by Nathan Rabin and Al Yankovic

When it comes to things like music and movies, my siblings and I used to seldom agree. Growing up, one listened to country music, one to Christian rock, while I had the Beatles and the Doors in heavy rotation on my turntable (look it up). Rarely did we ever go out together for an event where one of us had to be dragged against his/her will. The only time I recall our willingness to be seen in the same place was when Weird Al Yankovic played the Florida Theater during his Off the Deep End tour. Funny how songs about television and food can unite a family. We haven't attended a concert as a group since.

On a message board dedicated to another music act we have a thread dedicated to the genius of Weird Al - yes, when you think about it, Al does more than switch out lyrics to popular songs. He writes funny original songs as well - some topical, some macabre (Al was singing about psycho Santas before it was cool), others sticking to the comfort zones of food and television. The amazing thing about Al, though, is that after 30+ years in the business he continues to dominate the comedy music genre. Singers come and go, and some stubbornly refuse to budge - we can argue that Lady Gaga replaces Madonna, and Taylor Swift replaces Shania Twain...but I can't think of one heir apparent to Al. He's got it locked.

When I saw Weird Al: The Book, I wondered if it was produced in similar vein to The Compleat Al, a parody documentary of Al's life which is (I think) out of print. It surprised me, therefore, to discover this is a serious (but not devoid of humor) biography of Yankovic presented in a pseudo-scrapbook format with Rabin's research interspersed with numerous pictures and input from Al - commentary and a selection of the singer's best Tweets. If you have seen the Behind the Music special on Al, you probably won't find anything new here aside from everything that's happened since the special first aired: marriage, family, and an untimely tragedy. As Al intimated at the beginning of the VH1 show, he was surprised anybody would want to profile him, given he hasn't lived a life of scandal and debauchery, which for many equates to interesting.

So, you won't find any crooked skeletons in Yankovic's closet - no dish from ex-girlfriends, no mug shots, no reports of squandering royalties on troll dolls. However, being Weird Al does not come free of headaches. I found his clashes with his record label interesting - you do come away learning a bit about how the industry works, and what some people will do to empty a consumer's wallet. You'll also learn that it doesn't always pay to be the biggest fish in certain ponds.

As it's written and presented, you get the impression Weird Al: The Book is for the fans, and if you're die-hard into Al you probably already own it and don't need me to review it for you. If you like Al's music, it's worth a read to gain more insight into the parody process - it's more involved than you think, and Al is more than just weird.

Rating: B+

Kathryn Lively is a mystery author and book blogger. 

Who I Am by Pete Townshend

When Pete Townshend's book was initially released, I heard on my local classic rock station that he immediately regretted writing it, and wished he didn't. One can understand this - when you put your life in a book you expose yourself to the world and risk emotional infections. I write fiction, and while I don't have a readership the size of The Who's fan base I still feel queasy every time I announce a new title. Just as with non-fiction, and even song writing, there's a piece of yourself in everything you publish. As a lyricist, Townshend no doubt shared plenty of his life through song, and Who I Am serves to deconstruct his life in music and on the fringes of the industry.

He seems - to me, anyway - to tell his story with some hesitation. When my husband saw me with the book he cast me the patented "wink-wink, nudge-nudge" smile, as though expecting something sordid like recent musician bios I've read (*cough* Mick Jagger *cough*). Even if you have casually kept track of Townshend's career over the decade you've probably caught all the juicy bits - from the mystery of his sexual preferences to the addition of his name to a sex offender registry. These instances are covered in his book, though not dwelled upon for more than a few pages. Neither are the events of his youth ostensibly connected to these later issues revealed in great tabloid detail. Perhaps Townshend's memory has failed him when it comes to recalling the abuse he claims to have suffered at the hands of his grandmother and her friends, or maybe he deliberately chose to focus more on his professional life. If you are a die-hard Who fan and concern yourself more with musicianship than gossip, you will likely appreciate how the book is structured.

For somebody who seems reluctant to write his memoir, he offers a rather large product - Who I Am checks in at 500+ pages which breeze through a tense childhood with entertainer parents and the early days of The Who, through the peak of their stardom and Townshend's struggle to balance work, family, and various vices with his growing spirituality (just as The Beatles found enlightenment with the Maharishi Mahesh Yogi, Townshend embraced the teachings of Meher Baba). There are gossipy anecdotes as well, including same-sex flirtations and one tale putting Townshend in the awkward position of distracting George Harrison while Eric Clapton made a play for Patti. The things we do for friends.

Some reviews I've read of Townshend's book complain there isn't enough information despite the book's length. I'm neither a casual Who fan nor a die-hard - I'm in the middle somewhere, I'll watch Tommy when Palladia runs it - but I enjoyed the book, more so than many of the memoirs and bios I've read this year. Being a writer, I suppose I appreciated Townshend writing about writing, songs and fiction and rock operas.  When he does open up about heartache, infidelity, and conflicts with band mates and others there is an air of honesty (and in some instances regret), and while you might not sympathize completely with him you may come away from reading Who I Am satisfied that you read a good story. I am.

Rating: A

Kathryn Lively is a mystery author and a book blogger.

Guest Review: No Regrets by Ace Frehley

Guest Review by Joe M.

I became a huge fan of KISS in the sixth grade. I find it amazing that a band gets to such popularity on word of mouth alone. The entire first wave of KISS took place without MTV, without YouTube and with very little radio airplay. I was a fan of Ace's, and I wanted to play guitar like him. He is the person who first inspired me to pick up the guitar more seriously. Later on they became too cartoonish for me, mostly due to the merchandising and Phineas T. Barnum-impersonating Gene Simmons.

I picked up Ace's book, No Regrets, because I was looking for another rock bio and my Amazon preferences led me here, as they say. My dear friend Kathryn reads and reviews them here, and somehow these have always proven to be great late-night conversation fodder for us. We enjoy sharing details of bands and their books and do, like most people, discuss what we read, watch, and listen to.

Ace starts his adventure in his youth and spends a lot of time talking about his seemingly nice middle class upbringing. He came from a loving home, had hard-working parents, went to Lutheran school, and all was a nice time growing up in the Bronx until he decided to join a gang. Ace's life moves more into juvenile delinquency, but all along he remains a student of the world and his surroundings. He can diffuse things with humor which he displays in abundance in this book with intelligence. Yes, I said it, intelligence. Ace is definitely a bright guy. Funny, too. He almost became a graphic artist instead of music, and even designed the KISS logo that we see today.

He takes us through the KISS story by letting us in on the early inner workings of the group. Gene and Paul were introverted, nerdy, and not the "ladies men" they would later turn into. Ace got his nickname by being the Ace, the one who got all the girls. He was a master at talking to girls. He had and still does have the gift of gab.

So does Ace let Gene have it in this book? I'd say he does, but he also is very kind. I won't reveal how the "Gene issue" goes but I think it's an interesting part of the book, but not all. Ace does not blame anyone for his misadventures except himself, and what misadventures! His drug use and abuse, alcohol, glue sniffing and car crashing is legendary. As someone who lives between where he lives and NYC we often heard stories by locals of Ace's misadventures. All are documented here.

The book is well-written, and he had help via Joe Layden and John Ostrosky, but having heard Ace speak in interviews the voice appears to be his. The events in the book, any of which could have taken his life, are described in vivid detail. He takes responsibility, and yes, this is a rehabilitated individual who chooses not preach about it. He's surprisingly sensible throughout and values his relationships and honors his family as much as humanly possible for a person in his state. There could have been more detail about KISS and his relationships in the band. This book is heavy on Ace and somewhat light on the rest of the band. There is great detail on the early days, and it gets lighter about the band as the book goes on. He does take the high road here, in a lot of places.

There is plenty of dirt, as these books are made for it, but there is not a lot of dirt on other people in here. Sure you'll get a good back story of the infamous Tom Snyder appearance (YouTube it, Ace was drunk and on fire!) but you won't get a lot of detail about Peter's departure or Gene's money-making schemes. Even with the lack of KISS dirt, this is a great read and I highly recommend it. It went fast, too fast, and was hard to put down. You don't have to be a KISS fan to appreciate it, the story of Ace is enough to carry the book because there is just so much story to tell. Amazing he has lived to tell it.

Rating B+