If you have followed this blog for a time, you know it happens in fits and starts. I prefer to read books published within a year or less at time of reading, and lately I've found it challenging to sit down and read for leisure. Work intervenes, family intervenes...everybody got the summer off but me. When I do get the opportunity to read it's close to bedtime and I hate to fall asleep and lose my place. We're already into August and I've managed to finish two books relevant to the blog, and in the interest of sharing my thoughts I decided on a catch-all summer reading post.
AMZ / BN / KOBO / ITUNES), on this blog, I hadn't intended to read it for myself. A few months ago, I happened upon the book at a discount store, heavily marked down, and my husband bought it for me. I figured, having read Paul's and Peter's memoirs and one work where Gene's point of view is largely present, I should complete the set. This didn't take long to finish - it's a short book compared to the others and the style is easy and flows. One thing I did notice with regards to Ace's early life compared to his former bandmates is that he seemed to have come from a more stable home environment, with supportive parents and siblings. Nonetheless it wasn't enough to keep him out of trouble.
Like the memoirs of other KISS folk, Ace recalls his side of the story in chronological order - granted his history is shorter than others - and unlike others with a fair amount of brevity. No Regrets reads quickly, not so much because it's a compelling story but that Ace doesn't go too deeply into details (though he admits the memory is fuzzy due to abuse of various substances). For lack of another way to put it, too, the book doesn't read much as a general complaint of his treatment by Paul and Gene post-KISS. You read this and get the attitude you might expect from Ace if you met him personally - everything just rolls off his back and he soldiers on. If any resentment exists, Ace saves it for his perception of how the KISS machine unfairly treated friends and family, in particular his daughter.
AMZ / BN / KOBO / ITUNES) by Cornel Bonca a proper biography of the singer/songwriter, though the author touches on important events in Simon's life as they relate to his career. Tune is foremost a scholarly work, and thankfully not a wholly biased one because it allows the readers to study one interpretation of Simon's music, then decide if it's worth a listen.
Compared to Marc Eliot's 2010 biography (which I haven't reviewed here, but you can read my thoughts of it on Goodreads), Tune is a treat for die-hard Simon fans in that it appears better researched and less sensationalist. If you come to this expecting the standard unauthorized biography gossip - the failed marriages, the Garfunkel angst, that unsettling tiff with Edie Brickell earlier this year - you'll leave disappointed.
That's not to say Bonca doesn't explore the personal aspects of Simon's career. Not unlike his peers (Bob Dylan mentioned most often), Simon draws from real life to create, and Bonca deconstructs Simon's song catalog while interspersing brief histories of Simon's progression in his career. As you read Tune you may find amazement in the balance of Simon's failures and successes. Simon, and to some extent Simon and Garfunkel, has always seemed ever-present in pop culture since the 60s, but Tune points out the many struggles Simon faces to stay relevant, especially with the changes in music trends. How does a counter-culture folk/pop star thrive in the early MTV-era? Bonca concedes while Simon is not as prolific as some of his peers the messages in his song holds relevance. I have to agree with that - the first original episode of Saturday Night Live to air after 9/11, and who performs?
So this is my summer so far. I also got my hands on an advanced copy of Joe Perry's memoir, and I'll be looking for Billy Idol's book in the near future. Just to be straight: you want Paul Frehley for the sexy rock gossip and the Paul Simon for the fascinating music history and criticism.
Paul Simon: An American Tune was received via NetGalley.
Ratings: B- for No Regrets; B for Paul Simon: an American Tune